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How Does The Director Stephen Spielberg Use Filmic Techniques To Build Suspense And Tension In The Opening Sequence Of The Film ‘Jaws’? |
2 / 341 |
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Jaws |
1 / 145 |
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Jaws Media Essay |
2 / 360 |
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Jaws - filmic techniques, structure of tension/suspense |
2 / 391 |
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jaws media |
2 / 598 |
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sterphen spielberg |
3 / 605 |
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Jaws the movie |
2 / 332 |
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jaws |
2 / 438 |
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King |
2 / 301 |
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Steven Speilberg |
3 / 856 |
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Saving Private Ryan Help Sheet |
2 / 320 |
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Stephen Speilberg |
4 / 1036 |
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How does Steven Spielberg make the opening scene of Jaws so dramatic? |
5 / 1370 |
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Jaws |
3 / 819 |
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Jaws - 'How Does Spielberg Create Tension?' |
6 / 1690 |
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Jaws |
2 / 303 |
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War Of The Worlds Film Techniqes |
3 / 878 |
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the usual suspects |
3 / 800 |
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Jaws Media Coursework Essay |
2 / 516 |
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Saving Private Ryan |
2 / 374 |
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jaws |
3 / 850 |
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JAWS |
2 / 508 |
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Steven Spielberg |
1 / 207 |
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English |
5 / 1226 |
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Jaws |
6 / 1683 |
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Stagecoach movie critique |
2 / 382 |
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Italian job |
2 / 349 |
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How does the director, Steven Spielberg, create suspense, and scare the audience in the 1970's film, Jaws? |
10 / 2730 |
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Film Review: Close Encounters Of The Third Kind |
2 / 593 |
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What are the qualities of a successful thriller and how are they exploited? |
4 / 1122 |
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Analytical Film Paper |
2 / 323 |
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Opening Sequence of Bullet Boy Analysis |
2 / 508 |
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Jaws Tension |
3 / 831 |
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Steven Spielberg |
3 / 716 |
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Steven Spielberg |
3 / 716 |
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Film as Lit |
5 / 1265 |
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Comparing And Contrasting Hitchcock And Spielberg |
4 / 1183 |
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Saving Private Ryan |
8 / 2347 |
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Saving Private Ryan |
2 / 547 |
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James Bond |
1 / 295 |
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Spielberg Bio |
4 / 1075 |
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Batman begins and sleepy hollow |
2 / 502 |
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Schindlers list reaction paper |
2 / 307 |
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An Exploration Of How The Designer Olivier Kuntzel And Florence Deygas Managed To Incorporate And Interpret The Narrative Of ‘Catch Me If You Can’ Into Their Title Sequence |
4 / 1021 |
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Ijikjikj |
2 / 349 |
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Munich |
2 / 353 |
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Human-Likeness In Braveheart Movie |
3 / 891 |
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schindlers list |
2 / 307 |
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Micro Analysis Of |
5 / 1399 |
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Flim Review Saving Pivate Ryan Draft |
3 / 682 |
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A.I. |
2 / 485 |
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The Sixth sense |
3 / 633 |
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32 Short Films About Glenn Gould |
2 / 573 |
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How Does Baz Luhrmann Engage a Moders Audience's Interest That |
2 / 512 |
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Saving Private Ryan |
2 / 354 |
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Psycho Essay |
5 / 1343 |
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Discuss whether Alfred Hitchcock can be considered an auteur |
5 / 1210 |
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Macbeth |
3 / 728 |
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Formalistic Elements in Goodfellas |
3 / 604 |
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Salem's Lot and The Shining |
2 / 485 |
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Mr. |
1 / 286 |
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Saving Private Ryan |
3 / 686 |
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Opinion on a negative and positive critique of Amistad |
2 / 592 |
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shadow of a doubt |
3 / 713 |
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Touch Of Evil |
5 / 1284 |
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ms |
4 / 1072 |
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Short Film Techniques |
2 / 486 |
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Farewell to the One-Reelers |
1 / 267 |
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Lochness film essay |
3 / 747 |
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Conflict |
2 / 353 |
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Steps of Odessa |
2 / 578 |
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Twelve Angry Men film review |
2 / 476 |
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Indiana Jones movie reports |
4 / 1090 |
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To what extent do the conventions and codes of film noir used in double indemnity reflect the social, economic and cultural content of the period? |
3 / 634 |
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A Streetcar themes |
1 / 236 |
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Casablanca |
2 / 505 |
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Memento |
2 / 380 |
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86I67Iik |
4 / 1116 |
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Analysis of "Vantage Point" trailer |
4 / 1076 |
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casablanca: A New Perspective |
2 / 508 |
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the war of worlad |
6 / 1669 |
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Analyse the methods used to make the opening battle sequence of ?Saving Private Ryan' both shocking and realistic, and say how effective you find it as an introduction to the film |
10 / 2812 |
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Schindler's list |
3 / 785 |
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Miss |
3 / 611 |
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Steven Spielburg |
3 / 814 |
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North by Northwest film analysis |
4 / 1051 |
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Comparison of Ethan Hawke's and Kenneth Branagh's Versions of Hamlet |
3 / 879 |
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War of the Worlds Analysis |
4 / 1132 |
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M |
2 / 565 |
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what makes an excellent film |
2 / 491 |
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DreamWorks Animation |
2 / 314 |
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North by Northwest |
3 / 671 |
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knife in the water |
3 / 796 |
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scream |
2 / 407 |
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Movie Revie: Schindler's List |
4 / 978 |
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john williams |
3 / 762 |
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Confronting Loss in Memento |
2 / 494 |
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Rabbit Proof Fence |
3 / 648 |
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Rear Window |
1 / 101 |
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Macbeth |
2 / 387 |
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Compare And Contrast A Remake |
2 / 514 |
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Artificail Intelligence |
4 / 1044 |
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truman review |
3 / 861 |
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Point of View and Plot Development in PERFUME |
1 / 295 |
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Julius Ceasar |
1 / 282 |
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Book Review |
2 / 473 |
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Miss |
4 / 1055 |
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Comparison Of Psycho And Vertigo |
4 / 1096 |
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Black Hawk Down |
1 / 195 |
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Film Review "Michael Collins" |
2 / 368 |
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Genre Criticism of Stanley Kubrick's The Shining |
6 / 1626 |
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An Inconvenient Truth |
1 / 270 |
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Gallipoli |
2 / 574 |
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The Conversation |
1 / 278 |
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Viewer Response - The Graduate |
2 / 387 |
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Viewer Response - The Graduate |
2 / 387 |
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dr |
5 / 1257 |
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Reading Summary: Amplification of Sound |
2 / 316 |
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La Amistad |
2 / 475 |
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Crafting of the story 'Scary Movies' |
3 / 606 |
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The Notebook: Best Film I Have Seen |
2 / 585 |
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the pianist |
2 / 550 |
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The Success Of Michael Crichton's Novels In The Media Industry |
3 / 727 |
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Psycho |
2 / 489 |
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The Cask of Amontillado |
3 / 646 |
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How does the production in new Hollywood differ fron that of the studio era? describe what makes new hollywood cinema new. |
1 / 164 |
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Amistad |
2 / 449 |
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Spellbound ( fact more compelling than fiction) |
3 / 710 |
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Character Development Of Steven Wraysford |
3 / 683 |
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Day For night |
1 / 242 |
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high tension |
3 / 826 |
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28 days later |
1 / 273 |
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semiotics |
4 / 908 |
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Moulin Rouge |
1 / 266 |
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american splendor |
4 / 922 |
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Kung Fu Hustle: A Spoof of Eastern and Western Cultures |
4 / 932 |
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12 Monkeys |
2 / 513 |
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Man With A Movie Camera |
3 / 695 |
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close encounters of third kind |
3 / 753 |
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fight club |
1 / 298 |
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Jane Eyre - Violence |
1 / 286 |
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Jane Eyre - Violence |
1 / 286 |
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The Grifters |
2 / 565 |
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The Green Berets and Casualties of War |
6 / 1603 |
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Potemkin |
2 / 401 |
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Koyaanisqatsi |
3 / 702 |
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film institute research |
2 / 553 |
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taxi driver |
1 / 167 |
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Billy Elliot |
2 / 461 |
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the conversation |
2 / 406 |
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Ang Pagdadalaga ni Maximo Oliveros |
2 / 516 |
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Beauty And The Beast |
3 / 609 |
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Shawshank Book vs Film |
3 / 756 |
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Media Studies Thriller Project |
8 / 2176 |
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Two Different Explanations That Explains Criminal Behaviour |
1 / 194 |
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Citizen Kane By Orson Wells |
3 / 788 |
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Citizen Kane By Orson Wells |
3 / 788 |
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demon lover |
2 / 348 |
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Mise-En-Scene in Calagari |
2 / 352 |
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How does Willy Russell us the separation of the twins in Blood Brothers to good dramatic effect? |
2 / 586 |
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Camila |
2 / 393 |
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Basic Chemistry Essasy - properties of water |
1 / 258 |
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Schindlers List |
4 / 1015 |
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A Hard Day's Night |
3 / 643 |
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Kill Bill |
2 / 367 |
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Action films. Good or Bad ?? |
2 / 501 |
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editing |
3 / 654 |
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Cinematic Techniques |
3 / 735 |
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Cinematic Techniques |
3 / 735 |
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Shaun of the Dead |
1 / 275 |
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Firestarter |
3 / 769 |
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Fight Club |
1 / 253 |
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Religion in James Joyce's The Portrait of an Artist as a Young Man |
2 / 376 |
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Film genre, narration, reality tv |
6 / 1677 |
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The Sting |
2 / 553 |
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Prodigies |
2 / 478 |
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THE STING |
2 / 553 |
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Parker'S Adaption Of Othello |
4 / 917 |
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Schindler's List |
3 / 773 |
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Amistad 3 |
3 / 768 |
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Steven Spielberg's "Schindler's List" |
1 / 191 |
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Nondiegetic Music Of The Doors In The Scene Waiting In Saigon |
5 / 1334 |
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romeo and juliet |
3 / 652 |
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Indiana Jones |
5 / 1204 |
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rear window |
2 / 333 |
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The Graduate Sequence Analysis |
3 / 726 |
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Saving Private Ryan |
3 / 879 |
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Saving Private Ryan |
3 / 879 |
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narrative structures |
3 / 616 |
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Film genres |
2 / 479 |
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Speech To Introduce |
2 / 342 |
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Saving Private Ryan |
3 / 657 |
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Biological Techniques |
2 / 435 |
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Amistad |
3 / 820 |
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On The Waterfront: The American Dream |
2 / 565 |
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Blowup could never be staged as a theatrical play.’ What are the elements that make Blowup so filmic? |
8 / 2166 |
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Finding Nemo |
4 / 1074 |
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Anne Frank |
3 / 627 |
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Hitchcock, The Artist |
5 / 1223 |
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Hitchcock, The Artist |
5 / 1223 |
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