Title |
Pages / Words |
Save |
Celebrity Infatuation |
2 / 460 |
|
An Inspector Calls |
3 / 830 |
|
Truth |
2 / 503 |
|
Burkina Faso |
2 / 387 |
|
Beautiful Mind |
5 / 1205 |
|
Cold war |
5 / 1397 |
|
Hollywood in WWII |
5 / 1403 |
|
Hollywood vs history |
4 / 919 |
|
hollywood globalized |
4 / 902 |
|
mary pickford |
4 / 987 |
|
Anelina Jolei |
1 / 196 |
|
Audrey Hepburn |
2 / 351 |
|
Charles Chaplin |
1 / 287 |
|
David Fincher |
2 / 468 |
|
Drew Barrymore |
3 / 670 |
|
Ingrid Bergman |
5 / 1488 |
|
Rin Tin Tin |
5 / 1307 |
|
Steven Spielberg |
2 / 579 |
|
Steven Spielburg |
3 / 814 |
|
Sylvester Stallone |
1 / 285 |
|
walt disney |
1 / 223 |
|
A good man is hard to find |
1 / 210 |
|
bad |
2 / 329 |
|
born on the 4th of july |
5 / 1233 |
|
Catcher in the Rye |
4 / 966 |
|
Horror Show |
2 / 397 |
|
Portrayal Of The Truth In Hollywood Films, Girl Interrupted, By Susanna Kaysen |
6 / 1670 |
|
The Day They Came To Arrest The Book Review |
2 / 488 |
|
BMW Films |
2 / 328 |
|
Fishing For Dreams |
5 / 1277 |
|
Geography |
3 / 666 |
|
Nescafe |
2 / 475 |
|
A Call To Action Against Movie Rating System |
3 / 756 |
|
Censorship in the Media |
3 / 780 |
|
Comparison of "Monsson Wedding" to "Heat and Dust" |
3 / 701 |
|
Film Violence |
2 / 412 |
|
Is The Truth Always Good? |
1 / 173 |
|
an accident |
2 / 310 |
|
blacks in the film |
6 / 1641 |
|
classification of movies |
2 / 425 |
|
compare and contrast |
2 / 411 |
|
girl |
3 / 810 |
|
hills like white elephant |
2 / 525 |
|
Love |
3 / 729 |
|
Memoirs of a geisha |
2 / 340 |
|
One Word Of Truth |
1 / 276 |
|
Peter Weir movie analysis |
2 / 542 |
|
Poetry |
1 / 180 |
|
Requiem for a Dream |
2 / 328 |
|
Review |
2 / 494 |
|
Rubin Hurrican Carter |
3 / 888 |
|
Sacrifices of Love |
3 / 622 |
|
Saving Private Ryan Help Sheet |
2 / 320 |
|
The Maltese Falcon: Book Vs. Movie |
4 / 1135 |
|
The Tell-Tale Heart Analysis |
1 / 217 |
|
Truth vs. Lie Essay |
1 / 299 |
|
Why We Crave Horror Movies |
1 / 248 |
|
rhetorical |
4 / 932 |
|
Authenticity of "The Great Santini" |
2 / 425 |
|
film history |
4 / 1047 |
|
Hollywood & History |
2 / 449 |
|
Last Of The Mohicans |
2 / 400 |
|
Old Movies And America |
2 / 462 |
|
Slaying the Dragon |
2 / 459 |
|
The Gibson Girl -Too Young for its Time? |
2 / 583 |
|
A film I have seen |
2 / 523 |
|
Action films. Good or Bad ?? |
2 / 501 |
|
Aids Report |
2 / 380 |
|
Aids Report |
2 / 380 |
|
Barbie Doll |
2 / 600 |
|
Blacks In Film |
4 / 1150 |
|
blah |
2 / 567 |
|
Curlys Wife--of Mice And Men |
1 / 266 |
|
Discrimination (Business Ethics) |
1 / 264 |
|
Drew Barrymore |
3 / 670 |
|
Drew Barrymore |
3 / 670 |
|
Edward Norton ? Sinuous Talent, Unyielding Determination |
2 / 494 |
|
Filmmaking |
4 / 1027 |
|
Frank Sinatra |
2 / 527 |
|
Hesiod's Theogonoy |
1 / 289 |
|
History Of The French New Wave |
5 / 1470 |
|
Hollywood Is Overrated |
2 / 476 |
|
Hollywood Vs. The World |
4 / 1134 |
|
How does the production in new Hollywood differ fron that of the studio era? describe what makes new hollywood cinema new. |
1 / 164 |
|
hello ou there |
1 / 179 |
|
Inherit The Wind |
3 / 897 |
|
Johnny Depp |
2 / 398 |
|
Learn From Our Failures |
1 / 278 |
|
love essay |
2 / 415 |
|
Man On Fire |
2 / 360 |
|
mexican history |
4 / 1008 |
|
Other |
2 / 461 |
|
oh what |
4 / 1126 |
|
Richard Cory |
3 / 692 |
|
Sharon Olds The Blue Dress |
2 / 549 |
|
Summary Analysis of 'Hills Like White elephants' |
2 / 387 |
|
The Birth Of A Nation And Greed |
4 / 1185 |
|
The Maltese Falcon: Book Vs. Movie |
4 / 1135 |
|
The Truth |
1 / 254 |
|
Thoughts On Pocahontas The Mov |
1 / 216 |
|
Truth And Belief |
1 / 237 |
|
Truth |
2 / 406 |
|
A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
|
Advantages And Disadvantages Of Subtitles |
2 / 546 |
|
Amelie |
2 / 330 |
|
Archetypes in High School Movies |
2 / 511 |
|
Beauty and the beast |
1 / 288 |
|
Blaxpoitation |
2 / 325 |
|
Blood, Violence And Gore As Entertainment |
2 / 363 |
|
Bringing Up Baby |
3 / 693 |
|
C-grade answer for the impact of Hollywood's focus on the blockbuster film and how it's affected the up-turn in box office figures in the last 10 years. |
1 / 271 |
|
Charlie Chaplin |
3 / 642 |
|
Charlie's Angels Review |
2 / 600 |
|
Cliches of teen movies |
2 / 440 |
|
Critique Of The Cabinet Of Dr. Caligari |
2 / 481 |
|
californication |
2 / 427 |
|
creativity please |
2 / 598 |
|
DreamWorks Animation |
2 / 314 |
|
Erin Brockovich |
2 / 533 |
|
Europa Europa and Olivier Olivier Analysis |
5 / 1400 |
|
Fight Club |
1 / 229 |
|
Film: From Silent to Sound |
2 / 551 |
|
French New Wave |
4 / 1149 |
|
film noir |
3 / 693 |
|
films |
3 / 793 |
|
Hindi cinema |
4 / 932 |
|
Hollywood's Attack On Religion |
6 / 1611 |
|
Hong Kong Cinema |
3 / 709 |
|
Horror Movies Are a Waste of Time |
4 / 942 |
|
Horror Movies |
3 / 613 |
|
hollywood and product placement |
6 / 1519 |
|
Indonesian Cinema by Christine Hakim |
5 / 1323 |
|
indian cinema |
3 / 713 |
|
John Woo: from Hong Kong to Hollywood, The Killer and Face/Off |
3 / 859 |
|
King Kong |
2 / 350 |
|
Kung Fu Hustle: A Spoof of Eastern and Western Cultures |
4 / 932 |
|
L.A. Confidential review |
3 / 738 |
|
LA STORY AND SHAKESPEARE |
5 / 1450 |
|
La Amistad |
2 / 475 |
|
love is worth the inevitable pain |
6 / 1542 |
|
Marilyn monroe |
2 / 576 |
|
Movie History |
2 / 568 |
|
Movie Marketing In India |
2 / 329 |
|
Mr. Benz |
7 / 1963 |
|
media |
4 / 978 |
|
On the waterfront |
1 / 126 |
|
Originality and Repetition in Contemporary Cinema |
7 / 1945 |
|
Power to the Little People |
2 / 432 |
|
pleasantville |
2 / 383 |
|
Realism and Idealism for the Godfather |
4 / 1152 |
|
Reservoir Dogs |
4 / 911 |
|
Rock Hudsons Classic Hollywood Image |
5 / 1319 |
|
ritchie rich |
2 / 433 |
|
Samurai in Film |
2 / 421 |
|
Shirley Temple: Black Hollywood's Youngest Star |
2 / 335 |
|
Some Like It Hot |
2 / 316 |
|
Spike Lee Analysis |
2 / 338 |
|
sfsf |
2 / 474 |
|
sofia coppola |
2 / 386 |
|
sterphen spielberg |
3 / 605 |
|
THoughts On Pocahontas |
1 / 216 |
|
Tarantino |
5 / 1293 |
|
Ten Best Performances in English Films |
5 / 1473 |
|
The Blair Witch Project |
3 / 602 |
|
The Bronze Screen |
2 / 317 |
|
The Genre of Horror |
2 / 597 |
|
The Great Bollywood |
5 / 1292 |
|
The It Girl - Clara Bow |
2 / 453 |
|
The Player |
4 / 1139 |
|
The Two-Tiered System of Allusions |
5 / 1497 |
|
The Wild Bunch |
2 / 375 |
|
The contemporary Hollywood blockbuster is not so much a film as a dev |
6 / 1591 |
|
Thoughts on Tania Modleski's "Cinema and the Dark Continent: Race and Gender in Popular Film" |
1 / 263 |
|
triumph of the will and why we fight |
2 / 548 |
|
We Were Soldiers Critque |
6 / 1631 |
|
What It Takes To Produce A Film |
3 / 844 |
|
Will Smith |
2 / 357 |
|
Women Portrayed in Horror Films |
10 / 2722 |
|
family vacation |
4 / 1083 |
|
girl interrupted review |
2 / 473 |
|
Regarding Henry |
2 / 439 |
|
Inherit The Wind |
3 / 898 |
|
Truths |
2 / 408 |
|
Witchcraft in Hollywood |
6 / 1765 |
|
Americans In Film- Race, Gender, And |
2 / 494 |
|
battle of karkov |
4 / 1011 |
|
Canadian Identity Or “Invisible Culture”. |
2 / 333 |
|
disney is not taking over childrens lives - persuasive speech |
3 / 772 |
|
Hispanics In The Film Industry |
2 / 578 |
|
Homosexuality in Film |
4 / 914 |
|
Legal Opinion For 8th Social Studies |
2 / 480 |
|
Man as competitor, woman as prize |
9 / 2544 |
|
opionative essay on smoking |
1 / 276 |
|
Parallelism |
1 / 300 |
|
Portrayal of Women |
5 / 1223 |
|
Positive and Negative Influences of Cinema on Popular American Culture |
4 / 1163 |
|
Sorority Girl |
3 / 617 |
|
The Power Of Choice |
2 / 449 |
|
grouping |
2 / 308 |
|
Myspace |
2 / 570 |
|